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CMC and MGL Documentation News Texas A&M Media & Gaming Lab Texas A&M PVFA

Artist Zoe Nowak Visits Texas A&M

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From March 25th to April 2nd Artist Zoe Nowak visited Texas A&M giving workshops, interviews and ended with a night of performances along with students of the Texas A&M School of Performance, Visualization and Fine Art.

Conceived by Dr. Will Connor

The visit was conceived and facilitated by the new faculty member of the SoPVFA Dr. William Connor, a Texas-based scholar and percussionist who is a lecturer and currently teaching Performance in World Cultures (PERF 301), Electronic Music Composition (PERF 318) and as well as supporting an Independent Study (PERF 685). In addition to his teaching, in the fall of 2022, Dr. William Connor was able to garner resources and funds to develop of Analog Music lab. This lab has proven to be popular with the students and faculty a like. The Media & Gaming Lab visited the Analog Music Lab at the beginning of the Spring 2023 semester and it was a good time.

In an effort to further build out the School of Performance, Visualization and Fine Art’s public facing activities, Dr. Connor applied for one of the schools Interdisciplinary Collaboration Grants. He pitched Zoe Nowak coming to Texas A&M where she would give workshops and put on a show incorporating students from multiple disciplines. The application was accepted and the Media & Gaming Lab is proud to say we were chosen to be part of this collaborative interdisciplinary effort!

The Artist: Zoe Nowak

Artist Zoe Nowak is a U.S. based electronic music artist. Through out her teenage and early twenties Zoe developed a love for musical performance, performing with bands as a drummer, as well delving into her interests with electronics, specifically, tape looping, sequencing and live electronic performance. Zoe now performs electronic in a wide array of spaces using hardware interfaces that allow her to integrate with other performers. She also creates solo pieces that involve poly rhythms and noise that translates into sound spaces that are known to envelope the listener and audience.

High Impact Visits

In addition to performing, Zoe visited multiple classes such as a graduate communication course about gender and identity, as well as music courses. In addition Zoe gave a talk at the Transcend meeting, a groups whose goals are to:

“Transcend exists to better fit the needs of the growing population of students that identify in the transgender, bi-gender, agender, and gender nonconforming spectrum(s).”

As stated by the title, these visits proved to very high impact and allowed students to directly engage with Zoe and her work.

Media & Gaming Lab Monday Meeting & Interview

On March 27th, Zoe Nowak met with the Media & Gaming Lab for an interview and then discussion. Rick Pulos of the Media & Gaming Lab volunteered to head up the weeks worth of on location shooting. For the interview Rick produced and shot the video and Rolf Rydahl was the boom operator. Director of the media lab, joey, interviewed Zoe Nowak. The interview went very well and when it becomes available we will post it here, until then, here are some behind the scene shots.

After the interview Zoe Nowak and the students jammed on her work and also showed their work. It was a great time and the students really enjoyed the experience.

KAMN Radio Visit

Dr. Connor lined up a KAMN Radio visit for Zoe Nowak and boy was it a cool session. KAMN Radio is TAMU’s radio station and they produce a segment called “KAMN Library Sessions.” Zoe put on a good show, check it out.

Saturday Performance

This section will be broken up into two sections. Professor joey’s reflections and Dr. William Connors, so as to give an attendees view and production.

joey’s reflections

My reflection of Zoe’s Saturday performance was one from the theater’s cat walk as I was charged with making sure we captured a wide angle with our Sony A7iii. This position gave me a super unique view and one that I loved as I not only got to see Zoe and the students performance from a unique view but also the dancers.

The unique position I was in also allowed me to use my iPhone 14 pro to capture both photos and video of the performance.

The performance itself was amazing. Zoe and Dr. Connor’s students performance was integrated very well and as a quasi audience member I found it to be seamless. I will admit that I am a huge fan of Zoe’s genre, industrial electronica/noise music. The dancing added depth to the performance as well and gave the space an aura that exuded a human experience of body, sound and vision. The length of the piece also worked well for me as I have a short attention span and felt that the works has a progression that allowed for breath in the work while having poly rhythmic features that kept the piece engaging.

Opening piece of ZOE NOWAK and Dr. Connors Electronic Music Class performance.

Dr. Will Connor’s reflections

Zoe Nowak’s visit to A&M provided an amazing, unique opportunity for everyone involved. The students were given the chance to explore their instruments, experience playing live on stage, and hone their improvisational skills. Dancers imparted that they had not been able to work with music of the style before, citing a mixture of rhythmic and arrhythmic passages, experimental analogue electronic music, and the spontaneous adjustment to varying combinations of other improvising dancers live during a performance. The visual arts graduate student, Emilee Hart, who was responsible for the moving images that accompanied the performance was an inspiration to all the performers, and was guided by the artistic prompts presented by Nowak. Zoe herself also expressed the rareness of the opportunities the performance and engagement throughout the week provided for the her and the students alike.

Furthermore, on a personal note, I am extremely proud of the students involved, who all came together without much or any prior musical or improvisational experience, and embraced Zoe’s visit and their performance with the utmost professionalism and creative vigor. I couldn’t have been any more pleased with the result of the two shows, and I truly hope that the students involved will continue to seek out similar creative endeavors, fulfilling their interests and producing interesting and exciting new works simultaneously.

I also want to thank the audience who attended and supported the event. I received a almost overwhelming amount of positive feedback from the concert goers, colleagues, and the administrators who helped make this opportunity for the students and Zoe a reality. Without the support of people like Joey and all of the fantastic students who are part of his media lab, the student radio station, several student groups and local community members, especially Transcend, who reached out to Zoe during her stay offering outlets for her to express herself in a variety of ways, my fellow teachers and staff at the School of Performance, Visualization, and Fine Arts, and general public, especially the local LGBTQ+ community, the performances and Zoe’s visit as a whole would not have been possible, let alone such an outstanding success.

The biggest thanks, though, goes to Zoe, herself, traveling from Arizona to work with the students and enrich the quality of performative life here at A&M, bring her incredible music and wonderful personality to share with us. We are all better for it and I look forward to when we are able to do it again!

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CMC and MGL Documentation News Texas A&M Media & Gaming Lab Texas A&M PVFA UT Austin LATINX POPLAB

LATINX POP LAB – BIPOC 2023

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This is joey lopez reporting about the Latinx Pop Lab – BIPOC 2023. As previously posted, UT Austin’s LatinX Pop Lab hosted a BIPOC Conference in 2022, it was a huge success.

This year was no different. Conceived by Dr. Fredrick Luis Aldama and facilitated by the stellar LatinX Pop Lab staff and volunteers, the event grew in size and content. Instead of two days, it was a three day affair this year with panels, lectures, workshops and an animation expo.

BIPOC 2023 POSTER

My role this year was to garner interviews of as many participants as possible. Artists, presenters, volunteers, organizers and anyone that Anthony Ramirez and I could track down was asked for an interview. Which reminds me, THANK YOU Anthony, aka Dr. Ramirez, for all your help! For those who do not know, Anthony is no longer a student a Texas A&M University. Dr. Ramirez is now an Assistant Professor of Communication at the University of Houston-Downtown in the Arts and Communication Department.

A/V Nerd Time (Skip if you are not interested in nerdy A/V stuff)

For the nerds out there, I decided not to use a big camera setup for the interviews, instead I used my iphone 14pro, a tripod and Rode Wireless ToGo lavalier microphone.

For the super nerds, I used Filmic v7, shooting in 10bit HLG. The app give full manual control over your audio and video settings which is super nice and shooting in 10bit color depth gives you the ability to color grade at a prosumer/professional level that has traditionally been reserved for mirrorless and dslr style cameras and of course cinema cameras.

I hope to host a workshop on this topic soon. For now, check out this short video:

Back to our regular programing.

The scope of BIPOC 2023 really opened up avenues of discussions LatinX Comics and Gaming. The schedule shows more depth into more topics than last years. Panels critically explored comics, video games and popular culture through representation, semiotics, semantics, rhetoric, race, gender and many other lenses. I was able to record two great panels:

BiPOC POP 2023 – “I as We Comics” – Panel

BIPOC POP 2023 – “Queering BIPOC POP” – Panel

In addition to panels there were multiple workshops, here are just a few titles:

  • “Cosmic Memory Making For Visual Storytelling”
  • “Creating Your First Comic”
  • “Making BIPOC Boardgames”
  • “Learning the Manga Way”

It was amazing to see artists, students, academics and community attendees taking part in the workshops and literally find new ways to express themselves.

Vender Space

The vendor space was twice as big as last years, giving more floor space to multiple artists to show their works. I was able to meet and talk with so almost all the artists at length and of course I walked away with some great art! Here is a short video I took after the first day of attending and what I picked up from the creators and artists.

Anthony’s Reflections

What’s up, everyone? Anthony here! Thank you for the shoutout earlier, joey. I really appreciate it.

As joey previously mentioned, I had the opportunity of helping him conduct interviews and help Dr. Aldama and Samantha Ceballos-Sosa (Latinx Pop Lab assistant, graduate student extraordinaire, and co-founder of the Capirotada Collective) with their social media posts. Much like joey, besides being a professor of media and popular culture, I also like to dabble with new media.

This year’s BiPOC Pop was my first as a professor, which felt very weird for me. I constantly felt like I was in a weird state of in-betweenness or for those who study Gloria Anzaldúa or Latinx related work, I was in a state of nepantla (the Nahuatl word which means “in the middle of it” or “in-between”). To be completely transparent, I was very anxious due to this in-betweenness and other personal factors, but what helped calm these nerves of mine down was the amazing sense of community that was around me.

Similar to BiPOC Pop 2022, this year featured an amazing cast of creatives and scholars whose work centers around popular culture in some capacity. For each of these two BiPOC POP conferences, the highlights for me is always centered around the community building aspect of things. I got to network with so many artists, creatives, and scholars whose work is incredible. On top of that, I was able to reunite with la familia Lopez and the Capirotada Collective. Being able to spend time with these amazing group of people helped center me in ways that I needed.

I also got to see Dr. Aldama again and I am always in a constant awe of his presence and sheer community building attributes. This is something that inspires me as a young professor to help build community for individuals like the attendees and presenters of BiPOC Pop. Being able to intersect critical and creative work together into an amazing event is something that blows my mind in the best possible way, and it drives me to want to be a better presence for this community and for my own community.

I was also able to participate in a panel discussion centered around Latinx representation and identity in video games. Within this panel, I was with some of the best and up-coming scholars within Latinx video game scholarship including: Dr. Regina Mills and her student, Caroline Shee, Dr. Carlos Gabriel Gonzalez Kelly, and moderated by the legend himself, joey lopez, phd. While I have not done a lot of research on video games, I was able to share my experience of playing video games and the influence of having video games in my life. I also had the opportunity to share with the community that joey, Dr. Arthur Soto-Vasquez of Texas A&M-International, and I will be contributing a chapter to an upcoming collected volume curated by Dr. Mills and Dr. Kelly. Stay tuned for that!

Again, I just want to thank Dr. Aldama, Samantha, and everyone from the Latinx Pop Lab for such a wonderful event. I look forward to next year’s BiPOC POP 2024!

For more on Dr. Anthony R. Ramirez, be sure to check out his website: www.arramirez.com or follow him on Instagram: @dranthonyrramirez

Interviews

As stated we were able to collective over 30 interviews from attendees. In these interviews you learn about their work and their thoughts on attending BIPOC 2023.

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CMC and MGL Documentation News Texas A&M Media & Gaming Lab UT Austin LATINX POPLAB

BIPOC POP SYMPOSIUM 2022 – A Ground Floor Perspective

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Introduction

Ph.D. Candidate Anthony Ramirez and joey lopez phd were able to attend the BIPOC POP SYMPOSIUM on March 10th and 11th of 2022.  Collaborators of LatinX popular culture, such as their recent article published here in blog format about LatinX culture & video gaming and other projects like Showing Trajectories.  We have a passion for experiencing new forms of academic engagement and the BIPOC POP SYMPOSIUM proved to be a form of engagement that we reveled in.

We both wrote our own personal reflections of the Symposium which can be read here and here.  But what this article is really about is a deep dive and look into the community that was built through this event’s attendees and their diverse backgrounds and willingness to share their works and perspectives in such a facilitative space.  Through this experience it prompted Anthony and joey to ponder the following questions?

Questions:

  • How did this event come together?
  • How did the physical space play a role in creating “space” for conversations and discourse?
  • How did academics receive the experience vs professionals?
  • What did Dr. Aldama have in store?
  • Where is this situated in Academia?
  • Anthony and joey both purchased art from the market place, how do we explore this?

Observations:

  • We saw impactful personal testimony as academics and professionals
  • People were discussing their streaming show opportunities, as well as publishing in general
  • It felt like an academic conference and comic-con event.  
  • The market place offered a unique experience for academics in that we typically do not directly interact with the authors of the material at an academic conference.  
  • The people in attendance typically had lots of “internet depth” aka you could look them up and visually see their works and their social media presence.  

Panels

While we were not able to attend every panel, we made our best efforts to attend as many as possible.  As noted in our reflections the panels proved to be very atypical compared to traditional academic presentations where panelists read their papers or use powerpoint to present their work.  The panels were an awesome mix of more professional style moderated panels and presentations where the audience was encouraged to interact with the presenters.  This created an atmosphere of community between the presenters and the audience in a very collaborative way. 

“Decolonizing BIPOC Masculinities”

Carina Guevara, Maxi Rodriguez, David Bowles

Facilitator: Aaron Aceves  
“Building Community by Working with Community”

Myra Lara, Uko Smith, David Brown, Hector Garza.  

Facilitator: Stanford Carpenter 
Animation screening/Talkback II:Robert Gonzales “Boojalé”

Corey “Roc Bottom” Davis: “Jet Boy”  

Facilitator: Darius Gainer
“Laughter & Remembering”The 5Meats (Oscar Garza with Rolo Esquivel)

Jaime Crespo, Cayetano Valenzuela.

Facilitator: Mauricio Espinoza 
“BIPOC Mythologies & the Speculative”

Alé Juvera, Garcia, Jennifer Caroccio Maldonado, Jennifer Gomez Menjivar.

Facilitator: Jiba Anderson
“Shaping New K-12 & College Creative Critical Learning Spaces”

José Morey, Melissa Noelle, Héctor Cantu, JM Hunter.

Facilitator: Lydia CdeBaca-Cruz 
Screening/Talkback I:Marc Sanchez: “Sombras”

Lee Francis IV “IndigiGenius”

Facilitator: Adrian Villegas
“Decolonizing the Master’s House: Roundtable”

Mauricio Espinoza, Maite Urcaregui, Jessica Rutherford, Roxana Loza.

Facilitator: Anthony R. Ramirez 
“Developing, Branding & Amplifying BIPOC Stories”

Angélique Roche, Lee Francis IV, Aaron Jimenez, Stanford Carpenter.

Facilitator: José Morey 
“Monsters; or Quotidian Superheroes?”

Chris Escobar, Javier Solorzano, La Morris Richmond, Pablo Castro.  

Facilitator: Maite Urcaregui 
“Storytelling for New Gen BIPOC Audiences”

Candy Briones, Pablo Leon, Kat Fajardo, Paul and Carlos Meyer

Facilitator: Hector F L’Hoeste. 
“Creative Critical Makers in the BIPOC Gaming Arts”

Regina Mills, Erin Roberts, Kate Sánchez, Anthony Ramirez.

Facilitator: Frederick Luis Aldama
“Geopolitics in the Borderlands” 

Zeke Peña, Jennifer Gomez Menjivar, Héctor Rodríguez, José Alaniz.

Facilitator: Fernanda Diaz-Bateris 
“Global Forms & Ancestral Identities”

Greg Anderson, Kofi M. Bazzell-Smith, Jiba M. Anderson, Enrique Garcia, Fernanda Diaz-Bateris.

Facilitator: Jessica Rutherford 
Marvel Panel Latinx Communidades

Terry Blas, Julio Anta, Angélique Roche, Frederick Luis Aldama

Facilitator: Samantha Ceballos

Interactions

The ability to interact not only with other academics, but professionals alike during lunch, in between panels and in the hallways was a pleasure.  People were very friendly and open to discussing their work and because panels offered so much rich content and interactions to begin with, the conversations we had and over heard demonstrated Aldama’s and Sosa’s skill at developing and implementing “think space,” where theory and practice were actively mulled over in real time between creators and critics alike.   

Marketplace

In addition to panels and luncheons, there was also a marketplace that proved to be enveloping with creators from all over the country and comic/producers/writers/illustrator spaces.  Walking through the marketplace, we were able to make connections with creators first hand and learn not only what they have been up to, but what their futures hold.  Many spoke of animation projects for streaming platforms, as well as collaborations with other creators to get new works published.  

Inspiration/Analysis

You can read our personal reflections at the end of this blog.  The two of us were deeply moved by this event and we also found that others were too.  So much that joey was compelled to ask Fredrick Luis Aldama if he could record testimonials from attendees.  Through this effort we were able to garner over 15 interviews from creators, presenters and organizers.  Some major takeaways aside from our reflections are:

  • Academia needs more professional style consortiums/symposiums vs paper presentations, especially when exploring mixed media.
  • Informal interactions are key to a successful creative meetups, building network, and creating community
  • Having a market place at an academic conference (aside from a book/publishing space) help’s build a reflexive opportunity for creators and attendees to connect and get first hand experiences with content while at the event.
  • Inviting creatives ranging from independent platforms to full corporate platforms in an equitable manner creates a rounded experience.
  • A relaxed environment where people would share their experiences and lived realities.
  • A mix of admirations and respect for one another.

Anthony’s Reflection:

There is a part of me that is always awestruck by the idea that I get to study media and popular culture, specifically comic books, for a living. Like that always puts a smile on my face. There is also a part of me that feels that many scholars do not take what I do seriously for that reason too. Comic books have always been seen as “funny books” or a “low culture” medium. Even with the renaissance of comic book media resonating throughout our screens and pages, comic books and their transmedial counterparts are still laughed at by certain audiences and academics. 

Thankfully, there are scholars and creators (and members of the generalized audience) who love and support the medium, so much so that conferences and symposiums are being created to highlight such efforts! The most notable examples would be the spaces created by Dr. Fredrick Luis Aldama, who is a highly renowned scholar and creator/founder of the Latinx Pop Lab at the University of Texas. Dr. Aldama is the leading researcher of Latinx representation in popular culture, but specifically comics, and he created two intersectional spaces for academics and creatives to ideate, discuss their work and lived realities, network, that were both made to be diverse and inclusive. The two events are known as the Latinx Creative Consortium, which was held in November of 2021, and most recently the BiPOC Pop Conference. 

I have been lucky enough to attend both with my friend, mentor, and colleague, Dr. Joseph Lopez aka joey lopez phd. Personally, I have found both events to be a wonderful mix of emotions as I have felt hopeful, inspired, and in a wanted and comfortable space of like minded individuals! I had the chance to meet various Latinx comic creators and Latinx comic scholars, who made me feel welcomed in this space. At the BiPoc Pop conference, two of the comic creators, Hector Gonzalez Rodriguez (El Peso Hero) and Julio Anta (Home), who have written comic books that I’m analyzing for my dissertation, were delighted and honored to be included in my research. I also had the chance to meet an artist who I had been a fan of for a while now, who is also from El Paso, Zeke Peña. Zeke and I had a chance to talk and discuss our love for the borderlands. I had a chance to purchase some prints from him, and he was also kind enough to give me a custom and personalized illustration of his. Muchas gracias, Zeke. 🙏🏼 I also had a chance to speak with Candy Briones from Taco El Gato Comics about her work. We had a really interesting conversation on how 90s Disney cartoons like Darkwing Duck, TaleSpin, Bonkers, Chip and Dale: Rescue Rangers were all influential towards her work today. Candy mentioned that it is a dream of hers to make her work into a video game, which I found so interesting. Like others there at the conference, Candy and I connected on the idea of bigger aspirations, goals, and dreams for ourselves professionally. This was something that was incredibly special to me during this conference as most people would connect, network, and discuss their work so collaboratively. This led to further inspiration all around the conference, as one panel or conversation after another led to someone being inspired or willing to connect with one another inorder to help build the community out even further. 

Additionally, I had the chance to be a panel facilitator and a member of a panel discussion. During my time as a panel member, my fellow colleagues and I had the chance to discuss various challenges we have faced during our time in our respective spaces and fields. I openly admitted how I have found it difficult being a minority within my university, department, and within the larger academic world. For me, that has been a difficult space to navigate, but I also admitted that I work even harder to prove to people that I belong here as a scholar, student, and that my research is incredibly important. My admission led me to break down in front of the audience as I openly shed tears upon my reflection. After my panel, many scholars and creators came up to me and let me know that my experience resonated with them as they had similar experiences, and that I wasn’t alone any longer. This moment was special and powerful for me because these were emotions I had been feeling for a while now. 

On a more positive note, two people who I definitely have to highlight are Samantha Ceballos-Sosa and Héctor Garza, both of whom are friends and colleagues of mine who conduct research Latinx representation in comic books. The three of us stay connected and have begun to ideate ways to create a collective of diverse Latinx scholars conducting work on comic books and graphics novels. I am extremely grateful for these two individuals as they are both passionate scholars who are humble kind-hearted people! I’m thankful to call them both friends. 

Overall, my experience at these events has been inspiring and eye-opening for me. I am filled with so much appreciation, joy, and hope by such a space. Thank you again, Dr. Aldama, Sam Ceballos-Sosa, and the other organizers of these events for making these diverse and inclusive spaces. Thank you to joey lopez, phd for always being down to join me on these adventures and encouraging me along the way to keep going. I will now use this positive energy to continue working on my dissertation in order to finish this part of my journey to become Dr. Anthony Ramirez. 

I also want to acknowledge and thank my co-advisors Dr. Srivi Ramasubramanian and Dr. Antonio La Pastina, dissertation committee members Dr. Robin Means Coleman and Dr. Juan Alonzo; professors of mine from UTEP Dr. Stacy Sowards and Dr. Roberto Avant-Mier. These amazing mentors of mine have encouraged me to pursue my dreams and truly geek out by writing scholarship on comic books. You all have no idea how appreciative and grateful I am for you all. As a child, reading comic books and watching cartoons, I never would have imagined this hobby and passion of mine would open so many doors for me. 

joey’s Reflection:

The UT Austin, LatinX Poplab recently put on the BIPOC POC Symposium. I had the pleasure of attending.  And I will say it was a game changer for me.  It was very powerful.  I hadn’t felt the energy of being on the ground floor of something since, well the last event we cohosted with the LatinX Poplab in the fall.  

I went with my colleague Ph.D. Candidate Anthony Ramirez.  On the first day we drove together and let me just say the conversations we had were like therapy, I hadn’t really had time to reflect on my experiences at A&M and all the overhead we put in as Latino’s on campus.  We also reflected on academia in general and the challenges such as getting jobs, publishing, pushing new forms of publishing.  It honestly took me back to my graduate school days of jamming with my mentors Sandy and colleagues like Brandon.  

The conference itself was truly transformative for me as well because I hadn’t been to such a power event where I wasn’t charged with any tasks.  The theme was LatinX and comics, while

I teach popular culture, I am no comics theorist or practitioner myself.  

So as the workaholic I am, I took a camera and self assigned to be a documenter.  What I didn’t expect was to encounter so many kind people who were ready to engage in deep meaningful conversations.  I mean usually I talk to 5-10 people at a conference.  Pretty much every single person I met was ready to just have fun frank discussions.  

There was also a artists market.  If people know anything about me, they know I am a shopper of artifacts and cultural meaning.  I worked that room booth by booth and bought something from almost everyone there (some were not present or some art wasn’t for sale).  But beyond the purchasing it was the conversations with each artist that was just truly amazing.

And that’s it, it was the conversations, they reprogrammed me in a way that hadn’t happened in years.  It woke me back up to many of my callings as an academic, human being and advocate for helping others.

What do I mean by this. Well the conference and the drive with Anthony made me realize how much I have suppressed my personality as a LatinX to fit in with the students I teach and colleagues I work with at A&M.  It made me realize how much I had institutionalized myself as an academic and someone who really believes in the multimodal documentation of lived realities of all cultures in an equitable way.  Translation:  I realized how much I have suppressed my own loved experiences on the Campus of A&M in order to make others more comfortable with me being there and not be a “nuisance.”

That reflection along with the awesome powerful support of so many was great and something I hope to use to create more meaningful engagements at A&M and with my work and collaborations in general.

I cannot thank everyone who engaged with me at the conference.  Usually I would list names, but I want to make a point that it literally was everyone who made up the space that was BIPOC POP Symposium 2022. 

The Full List of Individuals at BiPOC Pop!

NameProfessionContact Info. or Website
Fredrick Luis AldamaJacob & Frances Sanger Mossiker Chair in the Humanities in the English department at the University of Texashttps://professorlatinx.la.utexas.edu/
Samantha Ceballos-SosaGraduate Student at the University of Texassjceballos@utexas.edu 
5 Meats ComicsPublisherhttps://5meatscomics.bigcartel.com/
Robert GonzalesAnimator/Graphic Designer/Producerhttps://www.youtube.com/boojale
Terry BlasAuthor/Illustratorhttps://www.instagram.com/terryblas/?hl=en
Stanford CarpenterCultural Anthropologisthttps://twitter.com/SWCarpenter
Stacey RobinsonAuthor/Artist/Creatorhttps://obsidianlit.org/project/stacey-robinson/
Sean Levon NashArtist/Creatorhttps://seanlevonnash.com/
Roxana LozaAcademicroxana.loza@utexas.edu 
Richard Z. SantosAuthorhttp://www.richardzsantos.com/
Dr. Regina MillsAcademichttps://twitter.com/guategamerphd
Peter MurrietaAuthorhttps://twitter.com/Mightypeter
Dr. Mauricio EspinozaAcademichttps://twitter.com/jmespinoza15
Pablo CastroArtisthttps://pablogotobed.format.com/comics
Pablo LeonArtisthttps://artsypabster.com/
Marc SanchezArtist/Filmmakerhttps://www.instagram.com/bigpavvo/
Maite UrcareguiGraduate Studenthttps://www.english.ucsb.edu/people/urcaregui-maite
Lydia Cdebaca-CruzEducatorhttps://www.lydia-cdebaca-cruz.com/
La Morris RichmondAuthor/Creatorhttps://www.biglamorriscomics.com/
Lee Francis IVEducator/Creatorhttps://twitter.com/leefrancisiv
Lawrence LindellArtist/Creatorhttps://lawrencelindell.com/
Kat FajardoAuthor/Artist/Creatorhttps://www.katfajardo.com/
Kofi M. Bazzell–SmithArtist/Educatorhttps://www.kofimanga.com/
Kate SánchezPodcaster/Creatorhttps://butwhythopodcast.com/author/kate-sanchez/
John JenningsAuthor/Academichttps://www.johnjenningsstudio.com/
Dr. Jose MoreyAcademichttps://www.drjosemorey.com/about
Dr. José AlanízAcademichttps://slavic.washington.edu/people/jose-alaniz
John Jota LeanosArtworkhttp://leanos.net/
Israel Francisco HarosArtisthttps://waterhummingbirdhouse.com/about/artist-bio/
Jiba M. AndersonWriter/Artist/Educatorhttps://twitter.com/jazintellect
Dr. Jessica RutherfordAcademicj.rutherford@ccsu.edu 
Dr. Héctor Fernández-L’HoesteAcademichttps://wlc.gsu.edu/profile/hector-fernandez-lhoeste/
Héctor CantúWriterhttps://www.gocomics.com/baldo
Héctor RodríguezWriter/Illustrator/Educatorhttps://riobravocomics.com/
Erin RobertsWriter/Creatorhttps://www.writingwonder.com/
Kevin GarcíaWriter/Artist/Educatorhttps://kevingarciasite.wordpress.com/
Dr. Fernanda Diaz-BaterisAcademichttps://fdiaz.academia.edu/
Dr. Enrique GarcíaAcademichttps://www.middlebury.edu/academics/igs/faculty/faculty-advisors-contact/node/26781
David G. BrownArtist/Educatorhttps://www.sdcomicfest.org/david-g-brown/
Cully HammerArtisthttps://www.essentialsequential.com/Cully-Hamner_c_1022.html
David BowlesWriterhttps://davidbowles.us/
Darius GainerAuthor/Academichttps://artsandsciences.osu.edu/news/undergraduates-book-explores-black-representation-animation
Corey “Roc Bottom” DavisCreatorhttps://rocbottomstudios.com/
Candy BrionesArtist/Writer/Creatorhttps://www.tacoelgatocomics.com/
Chris EscobarArtist/Writer/Creatorhttp://www.chrisescobar.art/
Breena NuñezCartoon/Educatorhttps://www.breenache.com/
Angélique RochéCreatorhttps://www.angeliqueroche.com/
Andrés Vera MartínezArtist/Illustratorhttps://www.andresvera.com/
Aaron JimenezEditor/Creatorhttps://www.latinxspaces.com/
Dr. Alisa PerrenAcademichttps://rtf.utexas.edu/faculty/alisa-perren
Zeke PeñaArtist/Illustratorhttps://www.zpvisual.com/